My Top 12 Favorite Films of the Year. Why have I chosen 12 films? The answer is simple: There are 12 months in a year. Thus, one great film for each month. The list is diverse; from Oscar Contenders to absolute nerd bait. But they are my choices and I stand by them. If they were chosen, it's because they lingered with me for a few days, or made me feel something. These are the films that resonated most for me--
A film that shouldn't work on paper. It's set in a Hawaii but deals with a patient who is in such a severe coma, the main character struggles throughout the film about whether or not to pull the plug. George Clooney gives another effortless performance of a man who was so busy working that he never gave himself the time to be a father to his two young girls. When his wife has a freak accident, he must rise to the occasion and be a real father to his children. To complicate matters he finds out that his comatose wife has cheated on him. Basically this man who hid from life in the beautiful tranquility of Hawaii must now confront life (through the possible death of his wife) head on. It's a quiet, languorous film that is also surprisingly funny. Clooney has a great moment toward the end of the film when he could be a complete asshole to a very unkind character. But instead of blowing up and letting the person have it, he swallows the insults and keeps his dignity. In that moment, George Clooney the actor shines like we've never seen him before. He's a lock for a Best Actor nomination come Academy Award season. Side note: I saw the film a few months after going to Hawaii for the first time and this film perfectly captures the vibe of one of the most beautiful places I've ever been to in my life.
Some say the Cruiser is back, I say fuck that, he never left. I'm a huge fan of Cruise. Always have been and always will be. I love this ever evolving series of action films. Every film has its own style. Its own rhythm. Cruise nails every damn stunt in the film. He oozes charisma, charm and swagger all at once. It has a straight forward plot that is propulsive and never lets up. The Dubai scaling the tallest building in the world sequence is a breathtaking moment that must be seen on IMAX to be believed and appreciated. This is the pure definition of a popcorn movie. The audience was gasping at the building sequence. And the sandstorm chase was epic. One of the best times I had at the movies this year. Brad Bird, in his live action debut, delivered big time. Give this man the next Batman reboot, stat!
Director Steve McQueen knows how to make you squirm while watching what should be erotic. He makes sex icky and disturbing. Michael Fassbender (who will either be the next Bond or the next Batman) gives the best Male Performance of the year as a sex addict. This is the Requiem For A Dream of sex films. Unable to perform with girls he actually likes, he turns to hookers and whores. This only distances him from any real human connections. The only person Fassbender is close to, is his sister played by the damaged Carey Mulligan (who is in two of my favorite films this year). They seem to share a strange and complicated relationship with a hint of incest. Mulligan has a scene where she sings Sinatra's classic New York, New York at a bar. Watch Fassbender's face in the scene and tell me you're not seeing the birth of the next biggest movie star on the planet. A difficult film to watch that doesn't give us any easy answers. Fassbender and Mulligan are so damaged that at one point she tells him: "We're not bad people. We just come from a bad place." A sad, moving and daring film.
The Writer/Director of SAW makes his best film. Insidious is hands down the scariest film I've seen in the past five years. If you were to take Poltergeist, Rosemary's Baby and The Exorcist and put them in a blender you would get INSIDIOUS. The fact that it was shot for 1.5 million dollars and made 150 million at the box office is astounding. I love that it relies on old fashioned in-camera tricks for the most part. It's creepy and unsettling with top notch performances by Patrick Wilson and Rose Byrne. See this with your loved one with all the lights closed. The less you know about the film the better. It may be the best haunted house film ever made.
Notorious recluse Terrence Malick delivers a powerful, moving picture and gives Brad Pitt his best role ever. Pitt is a successful man whose dreams of being a musician died long ago. He tries to teach his boys to be tough, smart and ambitious but his limited parental skill set does more harm than good. But he's not a bad man. This film will make you understand your parents better. There were no how-to manuals for child-rearing in the 50's. Parents did their best and relied on instincts, which often resulted in destructive decisions. Sean Penn plays the adult child of Pitt and the end result of such parenting. The film is about evolution, maturity and trying to reach a state of grace. Malick even shows us the evolution of humans in a beautiful sequence that takes us through the big bang and all the way to the dinosaurs. Scenes that linger in my mind... a velociraptor stumbles upon an injured baby dinosaur. Instead of eating it alive, the raptor shows mercy. In that moment, Malick shows us that creatures that appear to be monsters also have undercurrents of compassion and kindness. I can't say I understood the whole film but it did move me. A transporting and meditative film.
Who would think that the director of Atonement had such awesome action chops? Hanna may be the second best action film of the year. Joe Wright takes a mundane concept -- a father teaches his daughter how to be the ultimate assassin, to basically adapt or die -- and infuses it with a fairy tale sensibility. Cate Blanchett is the Big Bad Wolf and Saiorse Ronan is little Red Riding Hood and the world around them is an evil forest. The score by the Chemical Brothers is awesome (whenever I hear Hanna's action theme I scream -- "Run little Piggy, run!" -- much to the annoyance of my Wife). And Eric Bana has the best hand-to-hand one-take fight I've seen since Oldboy. Hanna is constantly on the run throughout the film and she meets up with a sweet family who has a daughter that instantly takes a shining to Hanna. There is a hint of lesbianism between the two young girls but Wright keeps it classy. Hanna is a rarity: A great soulful action film.
This is the film that showed me Bradley Cooper is a movie star. After watching Limitless, I joked that this was the best film about cocaine ever made. Of course, the substance he uses in the film isn't yeyo but damn if it isn't a metaphor for it. Cooper plays a disheveled writer, whose career and life is in the shitter. A chance meeting with his ex-wife's brother-in-law provides him the opportunity to try a new superdrug that is purported to make you access your entire brain instead of the commonly-held belief that we only use 10%. And just like that he gets his life back; he writes his novel in a few days, he gets the girl of his dreams back, he's able to see patterns in the stock exchange but it all comes at a deadly price. It's a Faustian tale with a surprising ending. The fact, that it almost felt like a superhero origin story also put this film in my top 12 list. I'd also like to see a sequel. A film that surprised me at every turn. Limitless lived up to its name.
This is Marvel's Batman Begins. A complete reboot that improves and surpasses the original Xmen series. Taking the film into the swinging 60's during the Cuban Missile crises was a genius move. Matthew Vaughn has yet to make a film that I didn't like. He knows action and always gives us compelling characters that we love and root for. Case in point: Michael Fassbender (what a year he had with this and Shame). McFassy (as I like to call him) is basically James Bond with superpowers for the first hour of the film. In fact, I would watch a 2 hour Magneto the Nazi Hunter film anytime. Macavoy is great as a randy Professor X and the ending is heartbreaking. I wish they held back and kept Magneto and Charles friends for at least one more film. This might be the best XMEN film ever made.
Firstly, you must see this film in 3D. Truly the best usage of 3D since AVATAR. Scorsese uses all the new cinematic tricks of the future to look back at cinema's past. A beautiful, painterly film that has a strong beating heart. Ben Kingsley's character is a heartbreaker and will surely garner him an Oscar Nomination for Best Supporting Actor. More than anything this film made me appreciate the filmmakers of the past whose innovations made a film like Hugo possible. This is a love letter to movies and the dreams they inspire in all of us.
I saw The Help a few days ago. I had zero expectations. Man, did this film take me by surprise! I can't remember the last time I was this moved by a film. I felt rage every ten minutes at the indignities the maids had to undergo. I wanted to reach into screen, through time itself and shake some sense into those southern Valley of the Dolls robots. The little girl in the film broke my heart. Viola Davis is a lock for an Oscar. In fact, I would be surprised if she doesn't win. Her words to the little white girl she took care of is something that I will in turn tell me daughter on a daily basis: "You are smart, you are kind, you are important." The Help made me tear up more than I'm willing to admit. If I was a betting man, The Help is this years Crash. It is the sleeping giant that might just take the big award come Oscar night.
A film in which the main character is an ape who doesn't speak for almost the entire running time. This is basically a silent film. Apes is the biggest surprise of the year for me and was almost my number one film. This film should not have worked. The humans are secondary characters. Like the title, it's the Apes who rule the film. Andy Serkis deserves a nomination for his breakthrough role as Ceaser. John Lithgow as the father afflicted by Alzheimer's was fantastic. This film has so many special moments; when Franco abandons Ceaser at the Sanctuary, it's heartbreaking... Ceaser running through the red wood forests of San Francisco... Ceaser asking his master if he is a pet... Ceaser speaking for the first time, screaming "NO!" All wowza moments in a wowza film. I can't wait for the sequel. Ceaser is kind to humans but a war will erupt between the kind apes and the warrior apes... and I will be there opening day!
Motherfucking DRIVE. The only film I saw 3 times in a theatre this year. A film in which Ryan Gosling barely has 25 lines of dialogue but owns the screen like Steve Mcqueen used to in the 70's. A film that made me feel cooler than I actually am. A film that made me drive faster. A film that will put hair on your chest, even if you're a girl. A masterpiece on par with Pulp Fiction and Reservoir Dogs. Forget THOR, Green Lantern or Captain America, DRIVE was the best superhero film of the year. The Driver sacrificed himself for a girl he knew he could never have. That's some noble shit. Nicholas Windig Refn is the next Christopher Nolan. A guy who understands genre and can give us memorable iconic characters. And the jacket... the iconic silver jacket with the gold scorpion on the back, that keeps getting bloodier and bloodier as the Driver gets into deeper and deeper chaos. The elevator sequence is my favorite of the year. It is the entire movie encapsulated in one scene: Tremendous beauty one moment and terrible graphic violence the next. The look on Carey Mulligan's face at the end of the elevator scene is heartbreaking. The Driver just saved her life but she will never see him the same way again. Not after that burst of insane violence. Bryan Cranston is tremendous as the constant screw-up and Albert Brooks will win the Best Supporting Actor Oscar. The way Brooks plays his character as a guy with a shady past who's trying to get out of the shade but has to revert to his old self to save his skin is sad... We feel sympathy for Brooks despite the fact he's a homicidal maniac. And the soundtrack by Cliff Martinez with the help of Kavinsky and others is pure heaven for an 80's boy. It's also in constant rotation in my car. If I were voting for the Best Film of the Year, DRIVE would get my vote. See. It. Now. You'll thank me later.
HONORABLE MENTIONS
HARRY POTTER & THE DEATHLY HALLOWS part 2: A classy ending to a classy franchise. This series could've been drivel but it wasn't. The kids grew up and it was sad to see them go.
TINTIN: Another great usage of 3D. The Bagghar one-take chase sequence is pure cinema and one of the best action scenes of the year.
HANGOVER 2: Don't care if it was a carbon copy of the original. I laughed my ass off and will follow these guys anywhere.
TROLL HUNTER: A great foreign film with convincing effects. Completely unexpected. A hell of a ride.
THOR: Surprisingly good with a great performance by Chris Hemsworth as the titular character.
FLOWERS OF WAR: Christian Bale is great in a film that told the story of 12 prostitutes in China during WWII who gave their lives to save a dozen children.
THE GIRL WITH THE DRAGON TATTOO: Fincher has never made a bad film & he's not about to start now. Tattoo is the definitive version of the best-selling novel. Mara is captivating as a female Goth-Batman & the score by Trent Reznor is unsettling.
MONEYBALL: Frankly, the best film about baseball ever made. It's not about winning the big game. It's about putting together a great team using your brains and not your gut. Love how the jock (Brad Pitt) joins forces with the geek (Jonah Hill) to create a team that is made up of an island of misfit toys. Great script that rewards the value of intelligence.
DIE: A little film I wrote that deals with fate, chance and chaos.
Next year will be huge... a little film called THE DARK KNIGHT RISES is coming out. I wonder where it will sit on my top 12 list?
Happy New Year Everyone!!!
Your Friend,
D.
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